Music Review:
Timing is everything in horror movies. Getting it right keeps the audience on the edge of their seats. Get it wrong, and the audience feels like they’re ticking boxes on a horror cliché checklist. The zombie flick Go Goa Gone gets its timing all wrong.
The premise is actually good. Dumped by his girlfriend, dope-smoking loser Luv (Vir Das) wants to forget about his romantic troubles. His horny roommate, Hardik (Kunal Khemu), sees this as a perfect excuse for a weekend of partying. They tag along with their straight-laced pal, Bunny (Anand Tiwari), on a business trip to the beach paradise Goa. The guys find themselves in trouble when a new party drug turns a bunch of ravers into the living dead.
Instead of getting right to the action, there’s a bunch of needless setup scenes. Hardik gets in trouble with his boss. Luv tosses out all his booze and drugs in order to impress his girlfriend, only to have her ditch him when he proposes to her. This is all stuff that could’ve happened offscreen beforehand, and the guys could cover it while they sit on the couch getting high. We don’t need to see it.
It takes about twenty minutes for the guys to get to Goa, and another twenty minutes for the zombies to show up. In a movie with a runtime of 110 minutes, that’s way too long.
Go Goa Gone has a lot in common with Delhi Belly (which also starred Das), another raunchy comedy made for an adult audience. Unfortunately, directors Raj & D.K. missed one of the crucial elements that made Delhi Belly so effective: no intermission.
With a runtime of only 90 minutes and no intermission, Delhi Belly maintains a cracking pace. It’s efficient, with no wasted scenes and no extraneous dialog. Go Goa Gone‘s additional twenty minutes of time to kill and the need for a break at a sensible point in the middle makes it bloated and slow by comparison.
This is most noticeable in the dialog, which is very funny at times — but which, like the undead, goes on longer than it should. For example, when Luv realizes that he and Hardik are being pursued by a bunch of flesh-eating zombies, he asks, “We only have ghosts and spirits in India. Where’d they come from?” “Globalization,” answers Hardik.
Rather than ending on that clever line, the scene continues on with further speculation as to the origin of the zombies. Watching the film, I kept thinking about the Seinfeld episode where George realizes that he’s dragging out his jokes too long and resolves to “end on a high note.” (A clip from the episode is embedded below.) Raj & D.K. don’t know when to end a funny scene, and the jokes get lost.
Even the scenes with the zombies feel boring. The creatures most often appear in large, slow-moving hordes, which the main characters easily outrun. Characters open doors with impunity, since there never seems to be a zombie hiding behind them. I usually hate jump scares, but even I was disappointed by the film’s lack of them.
The only advantage to the big groups of zombies is that it allows the Russian mobster Boris (Saif Ali Khan) to use them for target practice. Khan’s dyed-blond hair and exaggerated Russian accent are funny, but not for long. The fact that he’s always there to save the guys takes the agency away from our heroes.
Das and Khemu have a great rapport and do their best to carry the film. Tiwari’s character seems shoehorned in to make self-aware jokes about being the friend who always gets killed first in horror films. Pooja Gupta fits in better as Luv’s new love interest, Luna. Her presence sparks some amusing conflict between Luv and Hardik, as they compete over her in the middle of a zombie apocalypse.
There’s a lot of funny stuff in Go Goa Gone, but this kind of movie doesn’t work in the traditional Indian tale-of-two-halves format. The intermission break is the biggest thing keeping horror from becoming a popular genre in Bollywood. Without quick-hitting jokes and surprising scares at the right intervals, this kind of horror-comedy just doesn’t work.
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